MOBIA: Museum of Biblical Art

MOBIA exteriorIt has been said that beauty is in the eye of the beholder.  When it comes to Chris­tians look­ing for tourist attrac­tions that help bol­ster or enrich their faith, this phrase can hold fur­ther mean­ing.  Some attrac­tions would not con­sider them­selves “Chris­t­ian” per se (the pre­vi­ous blog entry being one exam­ple), but have an obvi­ous draw for peo­ple of faith.  Like today’s venue,  the Museum of Bib­li­cal Art (or MOBIA) in New York City.

Located at 61st and Broad­way, with Cen­tral Park within easy walk­ing dis­tance, MOBIA was for­merly the art gallery of the Amer­i­can Bible Soci­ety.  In 2005, MOBIA became an inde­pen­dent entity.  As such, it now explores the influ­ence of the Bible on Jew­ish and Chris­t­ian Art in a more gen­eral con­text.  In other words, the focus is on the art as it is influ­enced by the Bible in cul­ture.  MOBIA cel­e­brates the Bible for its pro­found impact on cul­ture — specif­i­cally, art — and views the art through a cul­tural lens, with­out pro­mot­ing any reli­gious views itself.

While not pro­mot­ing a Chris­t­ian world­view, in its own way MOBIA approaches its sub­ject rev­er­ently.  As evi­dence, the Amer­i­can Bible Soci­ety still con­tributes finan­cially to MOBIA’s efforts, among other donors.

MOBIA does not own a per­ma­nent col­lec­tion; rather they exhibit three to four rotat­ing exhibits each year, with each aver­ag­ing about a three month run.  It is in every way a fine art gallery, and the museum keeps things fresh with diverse and inter­est­ing themes for their exhibits.  Past exhi­bi­tions include Glory in Glass: Stained Glass in the United States, Holy Art of Impe­r­ial Rus­sia, 1660 — 1917, Gilded Lega­cies: The Saint John’s Bible in Con­text, The Art of For­give­ness: Images of the Prodi­gal Son, and Reel Reli­gion: A Cen­tury of the Bible and Film.

MOBIA is open Tue — Sun 10am to 6pm, with a later clos­ing of 8pm on Thurs­days. Admis­sion is a sug­gested dona­tion of $7 adult, $4 stu­dent and senior, and free to chil­dren ages 12 and under.

MOBIA Vidal Mayor (detail) -J. Paul Getty MuseumNext up for MOBIA is Uneasy Com­mu­nion: Jews, Chris­tians, and the Alter­pieces of Medieval Spain. High­light­ing a rare instance of artis­tic col­lab­o­ra­tion between Chris­tians and Jews in the Mid­dle Ages, this exhibit runs Feb 19 to May 30.  To the right is an exam­ple of one of many fan­tas­tic works from this upcom­ing exhi­bi­tion, a detail of Vidal Mayor:

Finding Ben-Hur in Indiana

Gen Lew Wallace-SpringFor me, when you say Ben-Hur, my mind imme­di­ately leaps to the famous char­iot race scene from the Charl­ton Hes­ton epic film.  I don’t ever think of Indiana.

But if you want to learn about the life of the author of the bib­li­cal epic which was the best-selling book of the 19th cen­tury, you should go west of Indi­anapo­lis to the town of Craw­fordsville.  There you will find the Gen­eral Lew Wal­lace Study and Museum.

Wal­lace was born in 1827 on the other side of the state in Brookeville.  Dur­ing an accom­plished mil­i­tary career he led Union armies in Civil War bat­tles in places such as Shiloh, Fort Donel­son, Cincin­nati, and the Bat­tle of Mono­cacy.  Later he went on to be appointed Gov­er­nor of the New Mex­ico Ter­ri­tory, and a few years later accepted an ambas­sador­ship to Turkey.

It took Wal­lace seven years to write the sec­ond of his three nov­els; Ben-Hur: A Tale of the Christ was pub­lished in 1880.  An occa­sional Methodist, Wal­lace chose to write the book as a way for him to learn more about his pro­fessed faith.  By the time he fin­ished the man­u­script, the process of writ­ing the book cemented his belief in Christ.  Since then, his epic tale star­ring a young Jew­ish noble­man liv­ing dur­ing the time of Christ has gone on to be made into a movie sev­eral times over (includ­ing the afore­men­tioned 1959 film, which won a record 11 Acad­emy Awards), as well as a var­i­ous stage interpretations.

The study was built just a few yards from Wallace’s Craw­fordsville res­i­dence.  Com­pleted just a few years before the author’s death in 1905, it now stands as a museum con­tain­ing arti­facts from his life and the many hats he wore dur­ing it.  And of course, this includes items and infor­ma­tion from his Ben-Hur period.  The 3.5 acre prop­erty is sur­rounded by a brick wall with serene land­scap­ing on the grounds.

The Gen­eral Lew Wal­lace Study and Museum is open from Feb­ru­ary 1st to mid-December, Wednes­days through Sundays.

Still Singing: The Gospel Chicken House

Back in 1973, in an unused chicken shed just a few miles north­west of Rich­mond, Vir­ginia, Ray Pol­lard cre­ated a space where his gospel singing group could prac­tice.  About 35 peo­ple came just to lis­ten.  And then it just kept hap­pen­ing, every week, until now the Gospel Chicken House is home to the “Longest Run­ning Weekly Gospel Sing in the Nation”, accord­ing to their website.

Nowa­days, every Sat­ur­day night, about 350 peo­ple come in to lis­ten to South­ern Gospel acts from all around.  It’s been esti­mated that over 1,000 acts have graced the Gospel Chicken House stage, includ­ing the house band, famous in its own right.  There is no charge for admis­sion, although a love offer­ing is taken.  The barn itself (which is behind Ray’s house) is now heated and air-conditioned.  A group of vol­un­teers man the snack bars every Sat­ur­day serv­ing up ham­burg­ers, hot dogs, and a vari­ety of casual fare-including sev­eral home­made dessert items.

A fam­ily affair, Ray’s wife Mary was very much a part of the goings on at the Gospel Chicken House.  She passed away in August of  2008, but Ray con­tin­ues on and can still be seen there.  When you see him, he’ll go by sev­eral names:  Mr. Pol­lard, Mr. Chicken House, or how he intro­duces himself-the Janitor.

This video mon­tage is a warm trib­ute to Mr. Pollard’s vision:

Why People Don’t Visit U.S. Christian Tourist Attractions

tourists_checking_a_mapThe rea­son I became the Chris­t­ian Travel Guy was because I think it’s worth it for believ­ers to blend faith with leisure.  I’m thank­ful for the over 400 venues I’ve found in the U.S. because, just as with many things in Chris­tian­ity, it reflects the incred­i­ble vari­ety and diver­sity of expres­sions of our faith.

One thing I learned back in my oper­a­tional days was that it’s always easy for peo­ple to say “no” to some­thing that requires a con­scious deci­sion.  Whether it’s the safe thing to say, or con­ve­nient, or what­ever, “no” is always the fast track answer.  And there is almost always a fast track rea­son behind it.

When­ever I hear some­body say “no” to U.S. Chris­t­ian tourist attractions-metaphorically or otherwise-they usu­ally cite the same rea­sons why.  Since travel is some­thing that peo­ple take more than a cur­sory amount of time think­ing about and plan­ning, I think it’s worth con­sid­er­ing these “no’s” ahead of time.  Because there are some very good rea­sons why peo­ple should say “yes”.

If they are “Chris­t­ian” they must not be very good. This con­cern does have some evi­dence to back it up.  Some­times when Chris­tians move into cre­ative ter­ri­to­ries, ini­tially there is an “if we build it, they will come” period where, just because “Chris­t­ian” is attached to some­thing, it should be sup­ported, regard­less of quality.

For­tu­nately, U.S. Chris­t­ian tourist attrac­tions have made it through that phase.  There are so many high-quality venues that they can hardly all be listed here.  Places like the Holy Land Expe­ri­ence, the Cre­ation Museum, and Sight and Sound The­atres are at the top of the list in terms of vis­i­tors.  There are numer­ous high-quality the­atri­cal venues, muse­ums, musi­cal per­for­mance venues, art gal­leries, gar­dens, and many other venue types available.

I already spend time at church/Bible study/etc. I sus­pect the way we take vaca­tions in Amer­ica play into this thought a bit.  We see these times as a way to break from all our rou­tines and have an “expe­ri­ence”.  This actu­ally works in the favor of trips to the Holy Land or a visit to the Ober­am­mer­gau Pas­sion Play.  Not so much for Chris­t­ian venues in the U.S. that com­pete with so many “must see” places.

This, more than any­thing, is prob­a­bly why I chose the slo­gan “help­ing believ­ers blend faith and leisure”.  Our rela­tion­ship with Christ doesn’t stop just because we decide to take a break.  He is with us always.  Also, con­sider the les­son of Phillip­pi­ans 4:8, that we are to spend our time med­i­tat­ing on things that are true, noble, right, pure, lovely, admirable, and praise­wor­thy.  Attend­ing U.S. Chris­t­ian tourist attrac­tions gives you the chance to con­tinue in the spirit of this verse in your “down” time.  And again, there are so many of high qual­ity that you won’t feel like you’re miss­ing out on another experience.

My family/friends wouldn’t be interested/would rather do “x”. I think this also is a reflec­tion of how we do vaca­tions in the U.S.  I men­tioned “expe­ri­ence” ear­lier, and that was delib­er­ate.  When peo­ple take time off, they want to talk about what they did to their friends, and so many excit­ing places become vaca­tion “pil­grim­ages”, such as Dis­ney­land.  There is almost an inher­ent pres­sure to do some­thing either very famil­iar to oth­ers or do some­thing so incred­i­bly unique that it sounds like some­thing you would only read about.  U.S. Chris­t­ian tourist attrac­tions don’t really fit into either cat­e­gory for most people.

What I would say to that per­son is that it doesn’t have to be all or noth­ing.  Are you eager to see the new NASCAR Hall of Fame open­ing this year in Char­lotte?  Then check out the Billy Gra­ham Library or Nar­roway Pro­duc­tions.  Going to Orlando?  Visit the Word­spring Dis­cov­ery Cen­ter.  Going to Pigeon Forge?  There’s Christ in the Smok­ies.  How about Bran­son?  Hop down to Eureka Springs and check out the Great Pas­sion Play.   There are many places that you can take a day to go see while doing every­thing else you want to do.

I hope you will con­tinue to return here and edu­cate your­self on the hun­dreds of oppor­tu­ni­ties to blend faith with leisure.

Putting the “Art” in Heartland-Museum of Religious Arts

When one of my all-time favorite movies–Field of Dreams–came out, “If you build it, he will come” was on everybody’s lips for the next sev­eral years.  The story of an Iowa farmer who fol­lows a mys­te­ri­ous voice and builds a base­ball field in the mid­dle of nowhere is as fan­tas­ti­cal as it is sentimental.

Unless you’re from the Mid­west, you might for­get another famous phrase from the movie:  “Is this Heaven?  No, it’s Iowa.”

When it comes to U.S. Chris­t­ian tourist attrac­tions, you can find some “heav­enly” places there, includ­ing today’s fea­tured des­ti­na­tion; the Museum of Reli­gious Arts in Logan.  Nes­tled along the west­ern bor­der of the state, Logan is about half an hour north of Omaha, Nebraska. Much like that famous base­ball dia­mond, the museum is located out in an area of fields south of town.

20,000 square feet of build­ing space as well as out­door dis­play space are ded­i­cated to Judeo/Christian art of sev­eral dif­fer­ent vari­eties.  Per­haps the most well known of the exhibits would be the King of Kings Dis­play:  nine wax fig­ure bib­li­cal scenes which once resided at the Sunken Gar­dens of St. Peters­burg, Florida.  Other dis­plays include repro­duc­tions of the works of child artist Akiane Kra­marik and the Crosses on the Hill.

Each Christ­mas the museum puts on Rea­son for the Sea­son, which fea­tures over 400 nativ­ity scenes from across the world.

For a bet­ter idea of what you can see there, check out this video from Tan­gle:

The Museum of Reli­gious Arts is open Tues­day through Sun­day until 4pm; Admis­sion is $5 adults, free to all ages 15 and under.  The museum is cel­e­brat­ing it’s 10th anniver­sary this year.

Christmas All Year, Pt 7 of 7

I hope that every­one has been enjoy­ing this series-long look at year round Christ­mas venues.  Today, we wrap things up in the beau­ti­ful state of Ten­nessee and Pigeon Forge’s Incred­i­ble Christ­mas Place.

In 1986 it was one small gift shop opened by Hur­shel and Mar­ian Biggs.  Now it stands at 35,000 sq. ft.  Each year the place rolls out over 50 Christ­mas trees decked out with the cur­rent styles and also fea­tures a life-sized carved nativ­ity posi­tioned in front of a two-story stained glass window.

The Christ­mas Place serves as the anchor store to a Bavarian-style shop­ping vil­lage, with each Christmas-themed store serv­ing a spe­cific niche–kids, tasty treats, flow­ers, art, and a high-end mer­chan­dise store called The Bou­tique.  The vil­lage itself is fur­ther dec­o­rated in the court­yard with lighted trees, top­i­ary, and an out­door train set.  There is also a giant cuckoo clock which chimes each hour with danc­ing figures.

In 2007, The Inn at Christ­mas Place opened just across the park­way from the Christ­mas Place and Vil­lage Shops.  It con­tin­ues both the Bavar­ian archi­tec­ture and the all-out Christ­mas them­ing.  Here are just a few exam­ples of how they turn the Inn into a true Christ­mas hotel:

  • Year round Christ­mas decor and theming
  • A 2-story Glock­en­spiel and car­ol­ing bells giv­ing hourly concerts
  • A bed­time snack for guests–milk and cookies!
  • Santa greets guests most morn­ings at breakfast

Even the phone num­ber is themed:  1–800-HOLYNIGHT.  Per­haps in response to the pop­u­lar­ity of the Inn, this sum­mer a Christmas-themed restaurant–The Par­tridge & Pear at Christ­mas Place–will open with 150-seats and three pri­vate din­ing rooms for group functions.

Pre­vi­ous:  Christ­mas All Year, Pt 6